Sander Cohen

Lore & Background

Prior to Jack's arrival in Rapture in 1960, Andrew Ryan personally invited Cohen to the city, where he composed the anthem and held jurisdiction over Fort Frolic. Following the civil war, Fort Frolic was locked down, causing Cohen's mental state to deteriorate as his audience vanished. He began killing former proteges like Silas Cobb and Martin Finnegan, encasing their remains in plaster to create 'statues' he called his Masterpiece. Cohen's obsession with these works is described by developer Jordan Thomas as 'psychodrama externalised,' aesthetically inspired by Norman Bates' mother in Psycho and Rupert Pupkin's imaginary audience in The King of Comedy. His sexuality, implied through dialogue where proteges call him an 'old fruit' and Atlas labels him a 'section eight,' was confirmed by creator Ken Levine in a 2016 tweet to be that of a gay man. Cohen also regretted moving to Rapture, as revealed in an audio diary found within Fort Frolic.

In Their Own Story

When Jack arrives at the bathysphere terminal for Hephaestus, Cohen blocks radio contact with Atlas and submerges the vessel, trapping Jack in Fort Frolic. He immediately kills his disciple Kyle Fitzpatrick, forcing Jack to photograph the corpse. Cohen then demands Jack complete a tetraptych called the Quadtych by killing three others: Martin Finnegan, Silas Cobb, and Hector Rodriguez. Once all four photographs are placed in the installation, Cohen reveals himself and allows Jack to proceed. At this point, the player may choose to leave or kill Cohen. If spared, he is later found in his luxury apartment in the Mercury Suite, where he welcomes Jack into his home before a final confrontation with dancing Splicers allows for his death. In Burial at Sea, Cohen appears before Rapture's fall, showing signs of instability and involvement in human trafficking targeting Little Sisters. Elizabeth reveals she worked as a songstress for him for months after arriving in the city.

Reader's Guide

Cohen controls Fort Frolic, the seventh level of BioShock, which serves as an adult playground where Jack must acquiesce to his violent requests. The environment reacts to Cohen's emotional state; lights turn purple when he speaks or red if the player attacks his artwork. To progress, players must locate and kill Finnegan, Cobb, and Rodriguez, then photograph their bodies for the Quadtych installation. Defeating Cohen is optional; sparing him leads to a later encounter in the Mercury Suite where he invites the player to tour his apartment. Concept art originally planned for BioShock 2 featured Cohen as a '20-foot-tall Freudian monster bunny' in a dream sequence called 'The Queen & The Rabbit,' but these plans were discarded before release. Voice actor T. Ryder Smith recorded unused lines for this robotic rabbit, visualized by him as the Trojan Horse crossed with a rabbit.

Did You Know?

• Ken Levine deliberately wrote Sander Cohen to be an untalented songwriter despite his reputation.
• Cohen's physical appearance, specifically his pencil moustache, was inspired by surrealist artist Salvador Dalí.
• In Burial at Sea - Episode 1, the Kinetoscope videos depicting Cohen's artistic bent were composed by Bill Gardner.
• To commemorate BioShock's success, Ken Levine gifted every 2K Boston employee a 6-inch scale model of Cohen designed by Robb Waters.
• Cohen refers to Andrew Ryan as 'the man I once loved,' hinting at his internal conflict regarding his sexuality.